“The Guggenheim: Frank Lloyd Wright’s Iconoclastic Masterpiece” edited by Yale University Press

The latest book by Francesco Dal Co, renowned historian and former member of the BigMat Award Jury, tells the captivating tale of the plans and personalities behind one of New York City’s most radical buildings: Frank Lloyd Wright’s Guggenheim Museum.

 

 

Guggenheim Museum. Section drawing, 1944 © Yale Books

Guggenheim Museum. Section drawing, 1944 © Yale Books

 

Yale Books has recently released a book on one of the most iconic buildings in the city of New York: the Solomon Guggenheim Museum, designed by American Modern classic architect Frank Lloyd Wright, author of the early Modern Prairie Houses and Organic style Villas. Renowned historian, art critic and architect Francesco Dal Co is the author of this comprehensive research book, which displays one of the most intrincate historical, social and constructive details of the building yet.

Francesco Dal Co is professor at IUAV and director of the architecture magazine Casabella. In 2013 he formed part of the BigMat ’13 International Architecture Award Jury. 


 

Book Information

‘The Guggenheim‘ by Francesco Dal Co
£20.00 | Hardback
ISBN: 9780300226058
184 pages | 63 colour + 104 b/w illus.
Size: 229x178mm

 


Considered the crowning achievement of Frank Lloyd Wright (1867–1959), the Solomon R. Guggenheim Museum in Manhattan is often called iconic. But it is in fact iconoclastic, standing in stark contrast to the surrounding metropolis and setting a new standard for the post-war art museum.

 

Solomon Guggenheim, HillaRebay, and Frank Lloyd Wright, New York, c. 1945   © Yale Books

Solomon Guggenheim, HillaRebay, and Frank Lloyd Wright, New York, c. 1945 © Yale Books

 

Commissioned to design the building in 1943 by the museum’s founding curator, Baroness Hilla von Rebay, Wright established residence in the Plaza Hotel in order to oversee the project. Over the next 17 years, Wright continuously clashed with his clients over the cost and the design, a conflict that extended to the city of New York and its cultural establishment.

 

Guggenheim Museum. Perspective drawings, 1944  © Yale Books

Guggenheim Museum. Perspective drawings, 1944 © Yale Books

The Modern Gallery. Model, 1945 © Yale Books

The Modern Gallery. Model, 1945 © Yale Books

 

Against all odds, Wright held fast to his radical design concept of an inverted ziggurat and spiralling ramp, built with a continuous beam—a shape recalling the form of an hourglass. Construction was only completed in 1959, six months after Wright’s death.

 

The Modern Gallery. Model, 1945 © Yale Books

The Modern Gallery. Model, 1945 © Yale Books

Building the Guggenheim’s “drum,” 1957  © Yale Books

Building the Guggenheim’s “drum,” 1957 © Yale Books

Building the Guggenheim’s “drum,” 1957  © Yale Books

Building the Guggenheim’s “drum,” 1957 © Yale Books

 

The building’s initial critical response ultimately gave way to near-universal admiration, as it came to be seen as an architectural masterpiece. This essential text, offering a behind-the-scenes story of the Guggenheim along with a careful reading of its architecture, is beautifully illustrated with more than 150 images, including plans, drawings, and rare photographs of the building under construction.

 

Exhibition spaces on the ramp © Yale Books

Exhibition spaces on the ramp © Yale Books

 

FRANCESCO DAL CO

Francesco Dal Co is professor of history of architecture at the Istituto Universitario di Architettura Venezia (IUAV) and director of the architecture magazine Casabella. His many publications include Modern Architecture (with Manfredo Tafuri) and Centre Pompidou: Renzo Piano, Richard Rogers, and the Making of a Modern Monument (Yale).


 

News source: Yale University Press
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