“The last days in Galliate” Leonor Antunes at Pirelli HangarBicocca

Through her sculptures Leonor Antunes (Lisbon, 1972) reinterprets the history of art, design, and architecture of the twentieth century, and in particular the Modernist tradition, in its most radical and experimental instances. Thanks to a meticulous research into several projects and works, Antunes, after selecting specific details and fragments, transforms them into new forms and elegant artworks.

 

“The last days in Galliate” Leonor Antunes exhbition view ©  Pirelli HangarBicocca

“The last days in Galliate” Leonor Antunes exhbition view © Pirelli HangarBicocca

 

For her sculptures Antunes prefers to use natural and organic materials on which the traces of time passing remain visible—rope, wood, leather, brass, rubber, and cork, among others—employing artisanal and vernacular techniques in clear opposition to mass production, in an ongoing attempt to preserve and hand down knowledge and traditional skills. (more…)