“A History. Art, Architecture, Design from the 1980s until today” at Centre Pompidou

A History, a new presentation of the Centre Pompidou contemporary collections, proposes an interpretation of art inspired by the very way in which artists have positioned themselves in relation to the profound changes in the last thirty years.

 

Kengo Kuma, Model for the CG Prostho Museum Research Center, Kasugaishi, Japan, 2008-2010 Acrylic, 27.5 x 59.4 x 42 cm, scale 1/50, weight 5 kg musée national d’art moderne, Centre Pompidou, Paris © Centre Pompidou, mnam/cci

Kengo Kuma, Model for the CG Prostho Museum Research Center, Kasugaishi, Japan, 2008-2010 Acrylic, 27.5 x 59.4 x 42 cm, scale 1/50, weight 5 kg musée national d’art moderne, Centre Pompidou, Paris © Centre Pompidou, mnam/cci

The new presentation of the contemporary collections of the Centre Pompidou, provides an overview of contemporary art since the Eighties through a circuit of almost 400 works and objects by nearly 200 artists, architects and designers. With paintings, sculptures, installations, videos, films, drawings, photographs, architecture and design, this new presentation offers a new approach to the art of the last thirty years.

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Challenging spatial awareness and perception: Musings on a Glass Box, a work by Diller Scofidio + Renfro.

Diller Scofidio + Renfro’s homage to Fondation Cartier is coming to an end. The multidisciplinary team’s installation designed on the occasion of the Fondation’s 30th anniversary will be closing on February 22. Called Musings on a Glass Box, it is a thought-provoking installation using transparency, sound effects and the spatial qualities of the building itself as raw materials for the work.

 

View of the Musings on a Glass Box exhibition Diller Scofidio+Renfro en collaboration avec David Lang et Jody Elff, 2014. © Luc Boegly

View of the Musings on a Glass Box exhibition Diller Scofidio+Renfro en collaboration avec David Lang et Jody Elff, 2014. © Luc Boegly

View of the Musings on a Glass Box exhibition
Diller Scofidio+Renfro en collaboration avec David Lang et Jody Elff, 2014. © Luc Boegly

 

Paris-based Fondation Cartier pour l’art contemporain is celebrating its 30th anniversary as a sponsor for contemporary arts with an exceptional project by the critically acclaimed team of artists and designers Diller Scofidio + Renfro.

From October 25, 2014 the entire ground floor of the Fondation Cartier has been taken over by Musings on a Glass Box, a new installation created especially for the occasion.  Designed in collaboration with American composer David Lang and sound designer Jody Elff, this work is the first to be showcased by the Fondation in which the building’s architecture itself is used as a raw material for the installation. Designed in 1994 by French architect Jean Nouvel, the iconic building in Boulevard Raspail in Paris is famous for its oversized glass façades that enclose the surrounding garden, creating an unclear, diffuse limit between the building and the street.  Taking advantage of the Fondation’s unique architecture, the installation by Diller Scofidio + Renfro portrays this empty space as the holder of many unexpected qualities only by the addition of a series of small gestures in the facilities. (more…)

“ZAC des Lilas” Multi-Purpose Building, a gathering place by SCAPE

The building appears as a compact volume from outside, while inside it is a dynamic system which naturally meets the requirements of space and privacy required by the various functions. For this building, Scape recently received the “Young Talent Architecture” award.

 

© Francesco Mattuzzi

© Francesco Mattuzzi

 

The italian architectural firm Scape, established in 2002 by architects Ludovica Di Falco, Francesco Marinelli, Paolo Mezzalama and Alessandro Cambi, has designed a multifunctional building on rue Paul Meurice in Paris. The commission was entrusted to Scape by the Heritage and Architecture Department (DPA) of France, after having won the competition organized by the City of Paris.

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“Viollet-le-Duc, a visionary architect” at the Cité de l’architecture et du patrimoine de Paris

On the occasion of the 200th birth anniversary of Eugène Viollet-le-Duc, a retrospective exhibition presents the unique work of this great architect, theorist and restorer who was also the founder of the National Museum of French Monuments, where the exhibition is showing.

 

Portrait présumé de Charles Nègre sur la tour sud de Notre-Dame de Paris Henri Le Secq (Jean Louis Henri Le Secq Des Tournelles, dit) (1818-1882), [1853?] / Contretype moderne d’après un négatif sur plaque de verre. Paris, Bibliothèque des arts décoratifs. © Ministère de la Culture - Médiathèque du Patrimoine, Dist. RMN-Grand Palais /Henri Le Secq

Vue de Notre-Dame de Paris avec la flèche et l’ange du Jugement dernier. Charles Marville (1813-1879) © RMN-Grand Palais (musée d’Orsay) / Hervé Lewandowski photographe

 

Eugène Viollet-le-Duc (1814-1879) is one of the few architects of the nineteenth century whose death did not drive him to oblivion, but quite on the contrary.

Despite the controversies, his restoration works have always been a reference for architecture professionals, and his genius has marked the history of art and architecture of the Middle Ages. For a long time, historians have attempted to put his archeological science and his ideas on restoration into perspective. Then, from the 1970’s on, his ideas on architectural design were subject of study and controversy.

 

Vue de Notre-Dame de Paris avec la flèche et l’ange du Jugement dernier Charles-François Bossu, dit Charles Marville (1813-1879) ; vers 1860 Photographie ; épreuve sur papier sec à partir d’un négatif verre au collodion sec. Paris, Musée d’Orsay, PHO 1985 200 © RMN-Grand Palais (musée d’Orsay) / Hervé Lewandowski photographe

Portrait présumé de Charles Nègre sur la tour sud de Notre-Dame de Paris. Henri Le Secq © Ministère de la Culture – Médiathèque du Patrimoine / Henri Le Secq

 

Now, thirty years after the last monographic exhibition was dedicated to him in Paris, it is the least known aspects and the most unexpected production of this talented artist which will be presented to the public, as a testimony of the richness and complexity of his personality.  We already know the rational nature of his approach to architectural practice: now is the turn to emphasize his work as a visionary of architecture. To illustrate, in other terms, the intimacy between the positivist system that Viollet-le-Duc represents, and his romantic delusions, the sources of his genius.  A personality which is  strange and complex, hyperactive and productive, relating his encyclopedic knowledge to the service of both a political and aesthetic plan.

The exhibition will be showing in the main venue of the Cité de l’architecture et du patrimoine de Paris -at Place Trocadéro, 1- until March 9th, 2015.

 

Watch the online promotional video for the exhibition below.

 

Information translated from the original via Cité de l’architecture et du patrimoine.
All images taken from the exhibition’s dossier, available here.

 

“Olafur Eliasson: Contact” in Paris at Louis Vuitton Foundation

Conceived specifically for Fondation Louis Vuitton, the artworks in “Olafur Eliasson: Contact” appear as a sequence of events along a journey. Moving through passageways and expansive installations, visitors become part of a choreography of darkness, light, geometry, and reflections.

 

Contact, Olafur EliassonⒸ Iwan Baan photography.

Contact, Olafur EliassonⒸ Iwan Baan photography.

 

The Louis Vuitton Foundation in Paris opened last Wednesday 17th the second phase of the activity programme scheduled since it´s inauguration, with the presentation of “Contact”, an immersive exhibition by Olafur Eliasson that explores the relations between spectators, exhibition space and the universe, within the microcosmos that the artist has originated for the Foundation. It will be on view from December 17th until February 16th, 2015.

Conceived specifically for Fondation Louis Vuitton, the artworks in “Olafur Eliasson: Contact” appear as a sequence of events along a journey. Moving through passageways and expansive installations, visitors become part of a choreography of darkness, light, geometry, and reflections.

Along the way, optical devices, models, and a meteorite reflect Eliasson’s on-going investigations into the mechanisms of perception and the construction of space. The exhibition addresses the relations between body, movement, and the sense of self, between people and their surroundings.

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“Future under construction” at Paris-Saclay University

Round tables, lectures and over thirty architects’ presentations next to models, plans and chronograms, all between days 28 – 30 of November.

 

XDG

 

Right now, at the moment when the operational phase of the works in Paris-Saclay University is taking place, this public institution is proud to present a general update on the project in its scientific, economic, architectural and urban aspects. Round tables, lectures and over thirty architects’ presentations will take place next to many models, plans and chronograms between days 28 – 30 of November. These three days will be followed by a longer-lasting exhibition of the Paris-Saclay projects until December 20th.

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