“The Map and the Territory” at Jeu de Paume

This first retrospective of photographs taken outside his native Italy by Luigi Ghirri (1943- 1992) focuses on the 1970s. It covers a decade in which Luigi Ghirri produced a corpus of colour photographs unparalleled in Europe at that time.

 

Rimini, 1977, Luigi Ghirri © Succession Luigi Ghirri

 

Luigi Ghirri, who was a trained surveyor, began taking photographs at weekends in the early 1970s, devising projects and themes as he roamed up and down the streets, the piazzas and the suburbs of Modena. He cast an attentive and affectionate eye on the signs of the outside world, observing, without openly commenting on them, the changes wrought by humans to the landscape and the housing in the Reggio Emilia, his province of birth. It was a barometer for a local vernacular exposed to the advent of new forms of housing, leisure and advertising. “I am interested in ephemeral architecture, in the provincial world, in objects generally regarded as bad taste, as kitsch, but which have never been that for me, in objects charged with desires, dreams, collective memories […], windows, mirrors, stars, palm trees, atlases, globes, books, museums and human beings seen through images.” (more…)

“Gordon Matta-Clark. Anarchitect” at Jeu de Paume

Featuring one hundred artworks by Gordon Matta-Clark, the exhibition “Anarchitect” explores the importance of Matta-Clark’s practice towards a rethinking of architecture after modernism. Embracing a diversity of media that include photography, film and printmaking, the exhibition features a number of works related to contemporary urban culture that further contextualize Gordon Matta-Clark’s compelling critique of architecture.

 

Conical Intersect 1975 Gordon Matta-Clark Courtesy The Estate of Gordon Matta-Clark et David Zwirner, New York / Londres / Hong Kong. © 2018 The Estate of Gordon Matta-Clark / ADAGP, Paris

Conical Intersect, 1975, Gordon Matta-Clark, Courtesy The Estate of Gordon Matta-Clark et David Zwirner, New York / Londres / Hong Kong. © 2018 The Estate of Gordon Matta-Clark / ADAGP, Paris

 

Soon after completing his studies at Cornell University School of Architecture (1962-1968), Matta-Clark moved to New York and started developing a series of artworks in situ that seemed to perform an anatomy of sorts on the very body of the urban landscape by literally cutting structures apart and exhibiting the remnants as demonstration. (more…)