“Drawing Ambience: Alvin Boyarsky and the Architectural Association” at Tchoban Foundation

The exhibition presents some 50 masterworks of contemporary architectural drawings made by celebrated architects and assembled by the long-term chairman of the Architectural Association School of Architecture (AA) in London, Alvin Boyarsky.

 

The Macrophone, 1981 by Jeremie Frank at Tchoban Foundation © Jeremie Frank

The Macrophone, 1981 by Jeremie Frank at Tchoban Foundation © Jeremie Frank

 

The Tchoban Foundation, Museum for Architectural Drawing in Berlin hosts an exhibition on the drawings of some of the most celebrated architects formed at the Architectural Association School of Architecture in London. Alvin Boyarsky, who was chairman of the AA from 1971 to 1990, architectural drawing was not only a means of representation or a presentation medium but also a form of architecture.

The exhibition has already been on view at the Mildred Lane Kemper Art Museum of Washington University in St. Louis, Museum of Art, Rhode Island School of Design in Providence, and at the Cooper Union in New York and is now coming to Berlin. 


 

Practical Information

“Drawing Ambience. Alvin Boyarsky and the Architectural Association”
July 8– September 24, 2017
Tchoban Foundation. Museum for Architectural Drawing
Christinenstraße 18a, 10119 Berlin
Germany

 


The second half of the 20th century was a period characterised by accelerated mobility and an international exchange of ideas. This Zeitgeist can be sensed in the presented works, most of which were made in the 1980s. This was a time during which the international orientation of the Architectural Association School of Architecture, accompanied by a growing interest in hand drawing, gave a fresh impetus to the search for a new architectural language.

The AA is justifiably considered to have been one of the most important melting pots of architectural talent and has produced many Stirling and Pritzker prize winners. The renowned alumni of the school include Rem Koolhaas, Zaha Hadid, Nigel Coates, David Chipperfield, Ben van Berkel, Will Alsop and other famous architects. Many graduates returned to the school later as teachers.

 

The World (89 Degrees), 1984 by Zaha Hadid at Tchoban Foundation © Zaha Hadid

The World (89 Degrees), 1984 by Zaha Hadid at Tchoban Foundation © Zaha Hadid

Ski Station, 1982 by Nigel Coates  at Tchoban Foundation © Nigel Coates

Ski Station, 1982 by Nigel Coates at Tchoban Foundation © Nigel Coates

 

We create a very rich compost for students to develop and grow from
and we fight the battle with the drawings on the wall.

ALVIN BOYARSKY, 1983

The diverse artistic stances, varied techniques, and geographic origins of these drawings and their connections to built architecture point to the significance of Alvin Boyarsky’s life-work. The collector was born in 1928 in Canada and studied architecture at the McGill University in Montreal.

Following his first experiences of the profession, he completed the postgraduate programme at Cornell University and then taught at the University of Oregon, the Bartlett School of Architecture and the Architectural Association School of Architecture, London, which he later led from 1971 to 1990. Alvin Boyarsky considered that the most important task of a school of architecture was to provoke social criticism. Furthermore, he encouraged the AA’s international outlook and revolutionised the study programme with so-called ‘units’ which could be freely chosen. A great value was placed on architectural drawing.

 

The Pleasure of Architecture, 1983 by Alex Wall / OMA at Tchoban Foundation © OMA

The Pleasure of Architecture, 1983 by Alex Wall / OMA at Tchoban Foundation © OMA

Centre for New Technology, Montage 1, 1985 by Lebbeus Woods at Tchoban Foundation © Lebbeus Woods

Centre for New Technology, Montage 1, 1985 by Lebbeus Woods at Tchoban Foundation © Lebbeus Woods

 

The exhibition shows early works by architects whose names today read like a ‘Who’s who’ of contemporary architecture including Frank Gehry, Zaha Hadid, Daniel Libeskind, Rem Koolhaas and Bernard Tschumi. It gives us a view into their world of ideas realised in the form of drawings. For Alvin Boyarsky, architectural drawing was not only a means of representation or a presentation medium but also a form of architecture.

 

"Drawing Ambience. Alvin Boyarsky at the Architectural Association" at Tchoban Foundation © photo: Michaela Schöpke
"Drawing Ambience. Alvin Boyarsky at the Architectural Association" at Tchoban Foundation © photo: Michaela Schöpke
"Drawing Ambience. Alvin Boyarsky at the Architectural Association" at Tchoban Foundation © photo: Michaela Schöpke
"Drawing Ambience. Alvin Boyarsky at the Architectural Association" at Tchoban Foundation © photo: Michaela Schöpke

 

The original exhibition Drawing Ambience: Alvin Boyarsky and the Architectural Association was coproduced by the Kemper Art Museum of Washington University, St. Louis and the Museum of Art, Rhode Island School of Design, Providence. It is curated by Jan Howard, the chief curator of the Rhode Island School of Design and Igor Marjanović, professor of architecture at Washington University, St. Louis.

It is accompanied by an exhibition catalogue published by the organizing museums and distributed by the University of Chicago Press. The original exhibition was made possible with the support of, amongst other sources, the Graham Foundation for Advanced Studies in the Fine Arts.


 

News source: Tchoban Foundation
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