“Denise Scott Brown: Wayward Eye” photography of the 1950s and 1960s at Betts Project

Betts Project is pleased to announce ‘Wayward Eye’ an exhibition of photography of the 1950s and 1960s by legendary architect-planner and theorist Denise Scott Brown. This will be Scott Brown’s first solo exhibition in the UK. ‘I’m not a photographer. I shoot for architecture — if there’s art here it’s a byproduct. Yet the images stand alone. Judge what you see.’

 

Pico Boulevard, Santa Monica, 1966. © Denise Scott Brown

Pico Boulevard, Santa Monica, 1966. © Denise Scott Brown

 

In 1956, Robert Scott Brown and I photographed architectural set pieces of Venice as records to return to while practicing in Africa. But in the process, more than architecture crept into our photographs. In 1965, after ten years of urbanism, my foci were automobile cities of the American Southwest, social change, multiculturalism, action, everyday architecture, “messy vitality,” iconography, and Pop Art.


 

Practical information

“Denise Scott Brown: Wayward Eye”
July 11 — July 28, 2018
Betts Project Gallery
100 Central Street, London
United Kingdom

 


Waywardness lay in more than my eye. Do I hate it or love it? ‘Don’t ask,’ said my inner voice. ‘Just shoot.’ For Robert Venturi and me, these sequences from Venice to Venice, Los Angeles, and Las Vegas provided inspiration and they still do. And via them, architectural photography initiated a move beyond beauty shots and data. Over the last 60 years, by adding analysis, synthesis, recommendation, and design, it has gone from tool to subdiscipline in architecture. —Denise Scott Brown

 

Architettura Minore on The Strip, Las Vegas, 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Architettura Minore on The Strip, Las Vegas, 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Totemic Surfboards, Santa Monica, 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Totemic Surfboards, Santa Monica, 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

 

Taken between 1956 and 1966, these photographs reveal Scott Brown’s formative explorations into urban systems, Pop Art, and the complexity of the American vernacular — interests that she and partner Robert Venturi would later develop in the pivotal Learning from Las Vegas. The photographs offer a glimpse into the social transformations of the 1960s as seen through the wayward eye of one of architecture’s most influential practitioners.

 

Mojave Desert, California, around 1966. Giclée pigment on Hahnemuhle archival paper, 45.5 x 30.3 cm (framed), Edition of 10

Mojave Desert, California, around 1966. Giclée pigment on Hahnemuhle archival paper, 45.5 x 30.3 cm (framed), Edition of 10

Architettura Minore on The Strip, Las Vegas, 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Architettura Minore on The Strip, Las Vegas, 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Totemic Surfboards, Santa Monica, 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Totemic Surfboards, Santa Monica, 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Signs, Las Vegas, around 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Signs, Las Vegas, around 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

 

Scott Brown’s photography is more than a means of documenting buildings — it is a tool for observation and analysis, an exploration of culture, aesthetics, history, and society. Through photography, Scott Brown traces continuities from the geometric vistas of Tintoretto’s Venice to the neon modernism of the Vegas Strip. For today’s architects, artists, and social scientists, these images provide models for design research and visual thinking.

 

Pigeons of Piazza San Marco, Venice, 1956. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Pigeons of Piazza San Marco, Venice, 1956. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

DENISE-SCOTT-BROWN-WAYWARD-EYE-PICO-BOULEVARD-SANTA-MONICA-COURTESY-BETTS-PROJECT

(No) Vacancy, Las Vegas, 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

(No) Vacancy, Las Vegas, 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Mojave Desert, California, around 1966. Giclée pigment on Hahnemuhle archival paper, 45.5 x 30.3 cm (framed), Edition of 10

Mojave Desert, California, around 1966. Giclée pigment on Hahnemuhle archival paper, 45.5 x 30.3 cm (framed), Edition of 10

Lagoon, Venice, 1956. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Lagoon, Venice, 1956. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

La Concha Motel, Las Vegas, around 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

La Concha Motel, Las Vegas, around 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Industrial Romanticism, Los Angeles, 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

Industrial Romanticism, Los Angeles, 1966. Giclée pigment on Hahnemuhle archivalpaper, 45.5 x 30.3 cm (framed), Edition of 10

 

Photographs are available for purchase at Betts Project. Each photograph is in a limited edition of ten, signed and numberedby Scott Brown. The exhibition is accompanied by a catalogue, published by PLANE—SITE and featuring texts by Scott Brown and Andrés Ramirez. Denise Scott Brown: Wayward Eye exhibition is a collaboration between Denise Scott Brown, Jeremy Tenenbaum, Andres Ramirez, Plane-Site and Betts Project. In support of this exhibition, a collage installation of photographs by Scott Brown will also be on display concurrently at Lethaby Gallery, University of the Arts London, Central Saint Martins.


 

News source and text: Betts Project
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