“Chillida, between the shapes”, a comprehensive exhibition in Roca Barcelona Gallery

The exhibition attempts to show the Spanish artist’s body of work through an organized collection of different scale artpieces, manuscripts and photographs.

 

Lurra 17 (1978), baked clay sculpture.

Lurra 17 (1978), baked clay sculpture.

 

The work of Eduardo Chillida (1924 – 2002), the internationally acclaimed Spanish artist, will be on display in Roca Barcelona Gallery from 21 January to 2 May 2015.  The exhibition showcases an assortment of different artpiececes and projects, personal manuscripts, small-scale sculptures and photographs in a more personal approach to the Spanish artist, who called himself “architect of the void”.

 

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“Architecture in uniform”, an exhibition on building design during World War II, now in Rome.

The exhibition, curated by the Canadian Centre for Architecture in Montreal, has been specially adapted by MAXXI Rome to focus on Italy’s planning activities that led to the post-war period construction boom.

 

The MERO system, example of possible structures, 1943. Page from Max Mengeringhausen, Raumfachwerke aus Stäben und Knoten, 1975. Private collection.

The MERO system, example of possible structures, 1943. Page from Max Mengeringhausen, Raumfachwerke aus Stäben und Knoten, 1975. Private collection.

 

The Roman Museum of the Arts in the Twenty-first century  is holding an exhibition on construction planning and building development and research during the Second World War. This exhibition, named “Architecture in Uniform. Designing and building for the second world war” will be open until May 3rd 2015.

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“The Future City” exhibition at RIBA, as part of “Foresight Future of Cities”

The exhibition is concerned with how future cities have been visualised, what they sought to communicate and why. The aim is to identify and understand the dominant paradigms that have been portrayed in these visualisations.

 

Studio Linfors (Clouds Architecture Office), Cloud Skippers, 2009. © Studio Lindfors

Studio Linfors (Clouds Architecture Office), Cloud Skippers, 2009. © Studio Lindfors

 

This exhibition is created by the Government Office for Science in partnership with RIBA. It is part of the UK Government’s Foresight Future of Cities Project. It will be open from February 10 2015 to March 31 2015 at The Practice Space, RIBA 66 Portland Place, London.

 

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“The Return of the Snake” Mathias Goeritz and the Invention of Emotional Architecture

The work on show employs the principle of “emotional architecture” as the theme to build upon and articulate its exhibition discourse

"Torres de Satélite" Mathias Goeritz and Luis Barragán. Mexico 1957

“Torres de Satélite” Mathias Goeritz and Luis Barragán. Mexico 1957

 

Open to the public until April 13 of 2015, the exhibition proposes a survey of the emblematic works by Goeritz as it underscores the manner in which his body of work and his artistic endeavor emerges from the assumption of art as a meta-artistic project that also extends to the social, political and public realms. This exhibition represents an approach to the work of Mathias Goeritz (Danzig, 1915 – Mexico City, 1990), produced after he settled in Mexico in 1949. In his theoretical and practical output, spanning four decades, rational utopia and Neo-primitivism converge, factors that stem from his own biography: his journey through different cities in Europe and North Africa (1948), his stint in Spain, and his participation in the preliminaries to the Primera Semana de Arte in Santillana del Mar (September 1949), as well as his contact with Mexican culture. (more…)

“The City as a Vision” prospective urban concepts from last fifty years in Frac Centre, Orléans

[19/09/2014-22/02/2015] Following historical projects taken from the FRAC Centre’s own collection, the exhibition also presents contemporary schemes by NLÉ, Foster + Partners, Sou Fujimoto Architects, and many others.

 

Sou Fujimoto Architects Souk Mirage, 2013 © Sou Fujimoto Architects. Image Courtesy of FRAC Centre

Sou Fujimoto Architects Souk Mirage, 2013 © Sou Fujimoto Architects. Image Courtesy of FRAC Centre

 

Divided into two sections – one historical, the other prospective – this exhibition pays tribute to historian and critic Michel Ragon who, in his books Où vivrons-nous demain? [Where will we live tomorrow?] (1963) and Prospective et Futurologie[Forecasting and Futurology] (1978), gave an introduction to the issues of experimental architecture – a field that lies at the heart of the Frac Centre’s collection. (more…)

“Studio Mumbai: between the sun and the moon”, an outstanding display of twenty-first century craftsmanship.

The exhibition in Arc en Rêve centre d’Architecture in Bordeaux will be showing Bijoy Jain’s team’s efforts to reunite vernacular and contemporary architecture through 1:1 scale models and prototypes.

 

Studio Mumbai: between the sun and the moon © Rodolphe Escher

Studio Mumbai: between the sun and the moon © Rodolphe Escher

 

The Arc en Rêve Centre of Architecture in Bordeaux is showing an exhibition on India’s most renowned contemporary architecture office: Studio Mumbai. From 18 December to 31 May 2015 the rooms in in 7 Rue Ferrère will be clad in architectural models,  shelves stacked with different material blocks, samples and prototypes, handmade concrete casts for the different projects’ technical construction details.

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“Mackintosh Architecture”, an exhibition of drawings, models and watercolours of the Scottish master.

The Royal Insitute of British Architects will be hosting an exhibition on the life and works of Charles Rennie Mackintosh in collaboration with The Hunterian, Glasgow University.

 

 Scotland Street Public School © The Hunterian, University of Glasgow, 2014


Scotland Street Public School © The Hunterian, University of Glasgow, 2014

 

From February 18th to May 23rd, RIBA will be hosting the first retrospective exhibition on the life and works of Charles Rennie Mackintosh. This exhibition, named Mackintosh Architecture, puts in context the environment in which he worked –the city of Glasgow, and the several phases in his career, working first as a collaborator, and later as an independent architect and designer.

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“Structuralism”, double exhibition at Het Nieuwe Instituut, Rotterdam

This weekend will be the last chance to visit the exhibition “Structuralism” which opened  last September and will close this Saturday (January 11th) in the big exhibition hall of Het Nieuwe Instituut.

 © Het Nieuwe Instituut

© Het Nieuwe Instituut

 

The exhibition focuses on Dutch Structuralism, a movement in architecture in the late ’50s and early ’60s that renounced the technocratic planning that characterised the post-war reconstruction of the country. Instead, its proponents asked space for the poetic and emotional aspects of architecture, in order to come to a truly dignified living environment. Structuralism constitutes the most important contribution from the Netherlands to modern architecture during the second half of the twentieth century. In the late 1950s it presented a poetic alternative to the technocratic architecture of the post-war reconstruction period, before flourishing in the 1970s. The ideal was to create a new social space where people could realise their full potential and that facilitated interaction, imagination and experimentation.

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“Viollet-le-Duc, a visionary architect” at the Cité de l’architecture et du patrimoine de Paris

On the occasion of the 200th birth anniversary of Eugène Viollet-le-Duc, a retrospective exhibition presents the unique work of this great architect, theorist and restorer who was also the founder of the National Museum of French Monuments, where the exhibition is showing.

 

Portrait présumé de Charles Nègre sur la tour sud de Notre-Dame de Paris Henri Le Secq (Jean Louis Henri Le Secq Des Tournelles, dit) (1818-1882), [1853?] / Contretype moderne d’après un négatif sur plaque de verre. Paris, Bibliothèque des arts décoratifs. © Ministère de la Culture - Médiathèque du Patrimoine, Dist. RMN-Grand Palais /Henri Le Secq

Vue de Notre-Dame de Paris avec la flèche et l’ange du Jugement dernier. Charles Marville (1813-1879) © RMN-Grand Palais (musée d’Orsay) / Hervé Lewandowski photographe

 

Eugène Viollet-le-Duc (1814-1879) is one of the few architects of the nineteenth century whose death did not drive him to oblivion, but quite on the contrary.

Despite the controversies, his restoration works have always been a reference for architecture professionals, and his genius has marked the history of art and architecture of the Middle Ages. For a long time, historians have attempted to put his archeological science and his ideas on restoration into perspective. Then, from the 1970’s on, his ideas on architectural design were subject of study and controversy.

 

Vue de Notre-Dame de Paris avec la flèche et l’ange du Jugement dernier Charles-François Bossu, dit Charles Marville (1813-1879) ; vers 1860 Photographie ; épreuve sur papier sec à partir d’un négatif verre au collodion sec. Paris, Musée d’Orsay, PHO 1985 200 © RMN-Grand Palais (musée d’Orsay) / Hervé Lewandowski photographe

Portrait présumé de Charles Nègre sur la tour sud de Notre-Dame de Paris. Henri Le Secq © Ministère de la Culture – Médiathèque du Patrimoine / Henri Le Secq

 

Now, thirty years after the last monographic exhibition was dedicated to him in Paris, it is the least known aspects and the most unexpected production of this talented artist which will be presented to the public, as a testimony of the richness and complexity of his personality.  We already know the rational nature of his approach to architectural practice: now is the turn to emphasize his work as a visionary of architecture. To illustrate, in other terms, the intimacy between the positivist system that Viollet-le-Duc represents, and his romantic delusions, the sources of his genius.  A personality which is  strange and complex, hyperactive and productive, relating his encyclopedic knowledge to the service of both a political and aesthetic plan.

The exhibition will be showing in the main venue of the Cité de l’architecture et du patrimoine de Paris -at Place Trocadéro, 1- until March 9th, 2015.

 

Watch the online promotional video for the exhibition below.

 

Information translated from the original via Cité de l’architecture et du patrimoine.
All images taken from the exhibition’s dossier, available here.

 

“Speculative Architecture”, seminar at The Prado Museum on architecture for the art

The gallery and Camilo José Cela University collaborate in a seminar entitled ‘Speculative Architecture’.

The Prado Museum and the Camilo José Cela University signed last December in the cloister of the gallery an agreement to collaborate in a seminar entitled “Speculative Architecture”, from January to April of this year, will cover the history of museums and how these have offered through history a “mirror image of society and what each society thinks of itself”.

FEAUTERE

The Prado Museum

The academic initiative, to be held at the Center for the Study of Cason del Buen Retiro, is directed by the writer Felix de Azua and Luis Feduchi, director of the School of Architecture and Technology, at Camilo José Cela University. De Azua also will also offer for the third year in a row and at the same venue the seminar “The Thinking Eye” about the transformations in the way art is understood since Romanticism revolution.
“Speculative Archictecture” comes from a sentence of El Greco collected in a Vasari´s volume which belonged to the library of the Cretan painter: “Painting, for being so universal, it is speculative.” “Speculative in that mirror,” explains De Azua. “And if the painting is a mirror reflection of societies, of course the museums are so”.

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