This spring, Het Nieuwe Instituut presented The New Garden: a temporary landscape with space for encounter, experimentation and exploration. The outdoor area around Het Nieuwe Instituut transforms into a temporary garden. With the design for The New Garden, Het Nieuwe Instituut opens up to its surroundings and invites neighbouring, residents and passers-by to make use of this temporary garden. The garden also acts as a route to the adjoining Museumpark and contributes to the discussion about the future of this public and cultural heart of the city. (more…)
Graduating initially in electrotechnic engineering in 1924, Melotti continued his studies at the Brera Academy from 1928 until 1929 under the distinguished sculptor Adolfo Wildt, together with his future friend Lucio Fontana.The research gathered by the curators began by the observation of the nodal nature in the relationship between Melotti and the magazine Domus, founded in 1928 by Gio Ponti. Accordingly the exhibition includes primarily works whose photographs were published in Domus between 1948 and 1968, alongside articles about the artist, as well as those written by Melotti himself. (more…)
A structure in movement in which time becomes a fourth dimension, a sequence of unpredictable volumes, oscillating metal panels that create ever-new spaces: this was the pavilion conceived by Maurizio Sacripanti for Expo 1970 in Osaka.
An innovative project contemplated by MAXXI 35 years later on the occasion of Expo Milano 2015 by presenting “Maurizio Sacripanti. Expo Osaka ’70” curated by Carlo Serafini and Esmeralda Valente. (more…)
Somewhere between art and architecture, Gérard Singer’s œuvre is deeply marked by a sense of innovation and commitment, introducing new ways of seeing and conceiving space. His experiments, developed over four decades, are nurtured by a close relation with the mountain and his intensive activity as a mountaineer. (more…)
On entering Carsten Holler: Decision visitors become part of the exhibition, their varied actions and reactions as vital to the artist, and to other visitors, as the works themselves. While many of the works are participatory and immersive – transforming the visitors’ physical and mental experience in ways that lead them to question their habitual perceptions – they also encourage reflection. As Holler states, ‘it’s possible to experience the work through other people, to see it from the outside, or to just contemplate it’. (more…)
The question of adapting architecture to the fluctuating presence of water arises globally today. Extreme weather events and the consequences of climate change – in 2015 the World Climate Conference will be held in Paris – recall how this theme is of central importance.
Appearing as a new territory, the water is covered with floating or underwater architectures, inhabited bridges and lake cities. It is also the inspiration of a “liquid architecture” dominated by fluid and moving lines. And finally, in liquid or gaseous form, it becomes a material of architecture. The models, drawings and video in the exhibition reflect this research and are applied to all environments: the marine environment with the coastline, the fluvial and lacustrine environment. (more…)
MAXXI Museum in Rome is hosting a retrospective exhibition on Olivo Barbieri, one of Italy’s certainly most acclaimed contemporary photographers for his pictures of cities, urban scenes and technical experimentation. The exhibition takes form around a quote by Barbieri himself, designed as an itinerary for a critical, new and annotated interpretation of the work of this renowned artist. (more…)
The Galleria Antonia Jannone in Milan is inaugurating today an exhibition created in collaboration with design students from the Scuola di Design from Politecnico di Milano. Called “In the Third Paradise“, the exhibition displays the student’s visions of a futuristic urban landscape from an immaginative, unprejudiced point of view.
The display is formed by the superimposition of fifteen of the student’s designs, drawings and architectural models – the result is a collective landscape both urban and natural, formed by “Men, animals, plants, unknown matter, orchards and videogames, secret gardens and molten metals, kennels and rocks, gyms, insects, feathers and even rooms to make love“.