This exhibition takes a fresh look at the development of British modernist architecture through the reciprocal influence of the Bauhaus movement. Centred on the brief period of 1934-37, when they came to live and work in Britain, the RIBA exhibition traces this fertile moment in British architectural history through the buildings completed during the decade. It considers the ideas they left behind and identifies the areas of post-war British architecture where its legacy has had the most enduring impact.
“Beyond Bauhaus – Modernism in Britain 1933–66”
1 October 2019 – 1 February 2020
RIBA Royal Institute of British Architects
66 Portland Place, London
Exhibition highlights include: Drawings and plans produced by the short-lived partnership of Walter Gropius and Maxwell Fry, including the unbuilt Isokon 3 building. Never before exhibited illustrations, sketches and personal photography from the archive of Leslie Martin and Sadie Speight. Drawings of furniture and interior designs by Marcel Breuer and Wells Coates. Photographs by ex-Bauhaus student Edith Tudor-Hart. Archival films from the 1930s including work by László Moholy-Nagy. Previous unseen personal correspondence and ephemera that tracks the personal lives of the key protagonists. Exhibition design by Chile-based practice Pezo Von Ellrichshausen.
The exhibition will be accompanied by a lively four-month programme of events taking a look at the wider cross-disciplinary impact of the Bauhaus, including talks, film screenings and creative learning workshops.
The Bauhaus presence in Britain was profound, championing not merely an architectural style but a philosophy, one based on an understanding of modern materials and technologies, and with a clear sense of social purpose. Drawing on the RIBA’s unique and world-class collections, Beyond Bauhaus examines the exchange between ex-Bauhaus tutors and young British architects, the many modernist influences of the era and the role of a group of pioneering women. Little known and rarely shown works by Elizabeth Denby, Sadie Speight, Margaret Blanco-White, Norah Aiton and Betty Scott demonstrate how important female architects engaged with the ideals of the modernist avant-garde.
The ways in which new ideas were exchanged and disseminated. will be presented through correspondence and personal ephemera that illustrate the depth of the personal relationships that flourished between British architects and their European counterparts. Other exhibits will broaden the narrative to show how the Bauhaus was among a number of influences that created a fast moving and highly experimental environment for young modernist architects to practice in.
Spanning 1933–66, this ambitious examination of the impact of émigré architects on Britain will conclude with a reflection on the work of, amongst others, Denys Lasdun, Eric Lyons, and Mary Crowley (later Medd), leading innovators in post-war British architecture whose formative years were spent as junior architects in the pre-war offices of Gropius, Fry, Goldfinger and Coates.
The exhibition will be accompanied by a display of László Moholy-Nagy’s photographic work and films produced during his time in Britain, working for the architectural press.