“Alvaro Urbano: The Awakening” at La Casa Encendida

In this exhibition in one scene, artist Alvaro Urbano (Madrid, 1983) uses as a case study the celebrated Hexagon Pavilion, designed by architects José Antonio Corrales and Ramón Vázquez Molezún.

 

“Alvaro Urbano: The Awakening” at La Casa Encendida

 

Like a strange dream that seems to go on forever, The Awakening reanimates a building whose life appears to have expired long ago. Through an immersive installation comprised of fragments that make up the body of a building, a forgotten edifice is reactivated to provoke speculative thought about its past and future.


 

“Alvaro Urbano: The Awakening”
28 February – 19 April, 2020
La Casa Encendida
Ronda de Valencia, 2,  Madrid
Spain

 


In this exhibition in one scene, artist Alvaro Urbano (Madrid, 1983) uses as a case study the celebrated Hexagon Pavilion, designed by architects José Antonio Corrales and Ramón Vázquez Molezún. The building, now languishing in a ruinous state in Madrid’s Casa de Campo park, was first presented as the Spanish Pavilion at the 1958 Brussels World’s Fair and is considered an important example of modern Spanish architecture. After years of abandonment, it is hard to believe what it once was and what it contained.

 

“Alvaro Urbano: The Awakening” at La Casa Encendida

 

Here—where the architecture and vegetation seem to be frozen in time, where the building itself holds a pictorial and sonic landscape that speaks of the past experiences lived within its walls, and where a pair of raccoons intermittently dwells—an endless twilight bathes the space in color and brings it to life.

Like an unscripted film that captures daily existence, The Awakening constructs a parallel life for an exhausted building in order to revive seemingly dormant histories.

Alvaro Urbano (Spain, 1983) lives and works in Berlin. He studied at the Escuela Técnica Superior de Madrid (ETSAM) and the Institut für Raumexperimente of the Universität der Künste in Berlin. He is currently a professor at the École Nationale Supérieure des Beaux-Arts in Paris. In 2014 Urbano received the Villa Romana Prize. His work has been shown in different institutions and organizations such as Storefront for Art and Architecture, New York (upcoming); Bundeskunsthalle, Bonn; Hamburger Bahnhof, Berlin; Neue Nationalgalerie, Berlin; Kunsthalle Düsseldorf; Art Basel Statements with ChertLüdde; among many others.

José Esparza Chong Cuy (Mexico, 1984) is the Executive Director and Chief Curator of Storefront for Art and Architecture in New York City. Previously, he was the Pamela Alper Associate Curator at the Museum of Contemporary Art Chicago (MCA). He is co-curator of the ongoing traveling retrospective Lina Bo Bardi: Habitat, co-organized between the MCA, the Museu de arte de São Paulo, and the Museo Jumex in Mexico City. Prior to the MCA, Esparza Chong Cuy was Associate Curator at the Museo Jumex. Between 2007-2012 he lived in New York City and held positions as Curatorial Associate at Storefront for Art and Architecture, Research Fellow at the New Museum, and Contributing Editor at Domus magazine. In 2013 he was Co-Curator of the Lisbon Architecture Triennal. He is a graduate of Columbia University’s M.S. in Critical, Curatorial, and Conceptual Practices in Architecture.