“Two Sides Of The Border: Reimagining the Mexico–United States region” at AEDES Architecture Forum Berlin

To redefine border regions as an integrated whole is a critical challenge for architectural, political, and cultural institutions today. The exhibition brings together research and design results of an academic initiative, launched by Mexican architect Tatiana Bilbao in 2018.


Two Sides of the Border. Reimagining the Mexico–United States Region Aedes © Erik Jan Ouwerkerk


Interdisciplinary architectural and urban concepts of 13 participating architecture studios from universities across Mexico and the United States are presented on the basis of drawings, pictures and models. The approaches explore numerous topics such as migration, housing or natural resources—with a focus on one common region rather than two nations. In addition to a photo essay by Iwan Baan, new maps of Thomas Paturet highlight interesting spatial relationships of the Mexico–United States border which is characterized by a variety of cultural and economic similarities and a common history. (more…)

“Paris Rive Gauche. The past and present history of a Neighborhood” at Pavillon de l’Arsenal

As part of its announcements of the results of the call for innovative projects Inventer Bruneseau, the Pavillon de l’Arsenal has decided to revisit the past and present history of the project known as Paris Rive Gauche.


“Paris Rive Gauche” © Pierre l’ Excellent


The growth of this neighborhood occupies a singular place in the history of the city’s development. At 130 hectares, its current perimeter constitutes the largest urban project since Haussmann. The program is also distinguished in terms of its ambitiousness, which was first proposed in 1983 as part of a program for the eastern part of Paris, to eradicate the historic inequality between the city’s western and eastern neighborhoods. (more…)

“Rural Moves – The Song­yang Story” at Architekturzentrum Wien

The exhibition features selected projects, and illustrates them with models, plans and pho- tographs. Films show the new architecture in context, providing insight into the culture and also the history of the people of Songyang.


Wang Jing MemorialHall Wang-Village Photo: DnA Design and Architecture


Dynamic urbanization processes shape large parts of the world. The young part of the population migrates to the cities, while children and the elderly remain in the rural areas. The revitalization of these regions has been neglected for a long time, causing dramatic socioeconomic and political consequences. In light of rural development being one of the most pressing challenges worldwide, this exhibition shows pioneering strategies, which the young Beijing architect Xu Tiantian has developed and realized in the Chinese region of Songyang. (more…)

“Formafantasma. Nervi in the making” at MAXXI Rome

Research and experimentation are the keywords in the consolidated partnership between MAXXI and Alcantara that, born in 2011, was renewed in terms of its contents last year. The exhibitions are now monographic and each year an established designer is invited to interpret the MAXXI collections.


Formafantasma, Nervi on the making, Progetto Alcantara © Formafantasma


In 2019 it is the turn of Formafantasma, a studio composed of an Italian design duo based in Amsterdam, Andrea Trimarchi and Simone Farresin. Named among the 20 best international design studios, their work has been exhibited in leading museums around the world and features in the MoMA collections in New York. For MAXXI, Formafantasma is preparing a space inspired by Pier Luigi Nervi that visitors may enter and move around, a place in which the result of their interpretation of the museum collection can be displayed. (more…)

“Alternative Histories” contemporary practices to imagine an exchange with architects from the past

At once an exhibition of new architecture in Europe and an enquiry into how it is now being made, “Alternative Histories” presents a shared past and present, both kaleidoscopic and undefinable, where there is always room for more and different points of reference, and expansion.


Stephen Bates (*1964), On Cadbury-Brown’s Royal College of Art extension, 1972, 2018. Plaster.


A new exhibition curated by Jantje Engels and Marius Grootveld, in collaboration with Drawing Matter and the Architecture Foundation. Acknowledging that architecture is a corpus of inherited ideas, “Alternative Histories” invited more than 80 contemporary practices in the UK and Europe to imagine an exchange with architects from the past. (more…)

Still haven’t submitted your project? The BigMat International Architecture Award call for entries is open

Register for free in one of the most relevant architecture awards for the promotion of quality architectural production in Europe with more than 70.000€ in prizes! Check out if any of your projects is eligible to participate in the biannual award in our website.


BigMat International Architecture Award ’17 Grand Prize, FRAC Grand Large by Lacaton & Vassal © Paulo Catrica


The prize is open to architects who work in one of the seven participating countries: Belgium, the Czech Republic, Slovakia, France, Italy, Portugal and Spain. Any architects whose professional address is in any of the seven participating countries and whose works have also been built in these territories can submit their works until the 26th of April 2019. To be eligible for the award, the project must have been built between 1 January 2015 and 1 January 2019 in any of the participating countries. Buildings that won or made the final in previous editions of this competition may not be entered again into this fourth edition.


“Dogma – Rooms” at deSingel International Arts Campus

The exhibition Rooms explores the domestic space via its simplest manifestation: a room. Taking this as a starting point, Dogma presents the results of two distinct lines of enquiry: The Room of One’s Own, which focuses on the history and function of the private room, and Loveless, which charts the evolution of the ‘minimum dwelling’.


Dogma – Rooms © Dogma


While the American architect Louis Kahn (1901-1974) considered the room to be the essential origin of architecture, the British author Virginia Woolf (1882-1941) emphasized the private space as being vital to female creativity in ‘A Room of One’s Own’ (1929). At the time of writing, her words were a direct challenge to the patriarchal organization of the domestic sphere and, by extension, society at large. (more…)

“Broken Nature: Design Takes on Human Survival” at La Triennale di Milano

Broken Nature is an in-depth exploration of the strands that connect humans to the natural environment that have been intensely compromised, if not entirely severed, over the years.


Llareta #0308-2B31 (Up to 3,000 years old ; Atacama Desert, Chile), from The Oldest Living Things in the World by Rachel Sussman


By casting a wide net on architecture and design projects, the exhibition will underline the concept of restorative design, highlighting objects and concepts at all scales that reconsider human beings’ relationship with their environments – including both natural and social ecosystems. (more…)

“Lake Verea: Paparazza Moderna” at Vitra Design Museum Gallery

In Spring 2019, the Vitra Design Museum will present the first solo exhibition of Mexican artist duo Lake Verea in a European museum. For their ongoing »Paparazza Moderna« project, they create poetic portraits of single-family houses designed by renowned modernist architects.


Lake Verea, »Glass House« (Phillip Johnson, 1949), New Canaan, Connecticut Paparazza Moderna series, 2011–2018 © Lake Verea


Francisca Rivero-Lake and Carla Verea approach these buildings like paparazzi – unannounced and spontaneous – with the aim of capturing them in an unembellished, private state. Lake Verea’s evocative photographic compositions of buildings by Walter Gropius, Marcel Breuer, Richard Neutra, Rudolf M. Schindler, Ludwig Mies van der Rohe and Philip Johnson were taken between 2011 and 2018 during their journeys throughout the USA. (more…)

“Kiosk K67. Metamorphoses of a System” at ETH Zurich

Thanks to extensive research by Milan Dinevski, the Department of Architecture at ETH Zurich has been offered a unique opportunity to acquire a Kiosk K67 model of the second generation (produced after 1971) and thus to lay the foundation for its own collection. After careful restoration, this rare example is now being shown to a wider public for the first time.


“Kiosk K67. Metamorphoses of a System” © Courtesy Museum of Architecture & Design, Ljubljana


Kiosk K67 is a modular architectonic system designed by Slovenian architect and designer Saša J. Mächtig. It was conceived as a flexible multipurpose structure that could potentially be extended ad infinitum, in countless compositions and configurations. With its smooth plastic shell, the Kiosk has been a characteristic feature in the streetscapes of many urban centres in former Yugoslavia and Eastern Europe since the 1960s. K67 is emblematic for the architect and designer’s thoroughly systematic approach. Individual objects and products are not regarded as being self-sufficient or idiosyncratic, but rather as open systems: They are generated through a conceptual framework and follow a logic of permutation that remains open to changes and may develop over time. (more…)