“DETAILS, architecture seen in section” opening at Politecnico di Milano

The exhibition will feature over 200 details from fifty renown international architectural firms, each contributing a selection of detail section drawings from their projects. The exhibition is the result of a wider research on current trends in construction.

 

 © “Details. Architecture seen in section” Research project.

 

The exhibition “DETAILS, architecture seen in section” opened last Wednesday at the Guido Nardi exhibition space, at the School of Architecture and Society of Milan Politecnico. DETAILS will stay open until February 27. Three international guests, Grafton Architects, Yvonne Farrell, Peter Maerkli, and Christian Schittich (editor in chief of the DETAIL journal) were invited to the inauguration.

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Assisted pedestrian path from Baixa to Castelo de S. Jorge, Lisbon, by São Jorge / Falcão de Campos

The present intervention aims to be a natural extension of the urban environment, intended to invite users to bridge the gap between Baixa Pombalina and the Castelo de S. Jorge’s hill.

 

© José Manuel Rodrigues

© José Manuel Rodrigues

 

From the architect:

The Assisted pedestrian path from Baixa to Castelo de S. Jorge’ is a global project intergrating different interventions such as:

Rua da Vitoria,  urban requalification, the lower level path’s main axis, from Rua do Crucifixo to Rua dos Fanqueiros; The Public Lifts Building which is the reconversion of the whole building of Rua dos Fanqueiros, 170-178; and the ground floor and basement of Rua da Madalena 147-155 to integrate the public lifts which assist the transition to the path’s upper level.

 

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Three “Mysterious Objects” by Gio Ponti, the new inhabitants of Milano Malpensa

Porta di Milano, a recently inaugurated art showroom in Malpensa Airport, displays three works by the Italian architect and designer until the 31st of March. Passengers will be able to visit these works in an unusual way -as part of a non-contemplative, travelling experience.

Gio Ponti, flooring design for the  Salzburger Nachrichten. © Gio Ponti Archives

Gio Ponti, flooring design for the Salzburger Nachrichten. © Gio Ponti Archives

 

“Porta di Milano”, in Malpensa Airport, Terminal 1, is hosting an exhibition on Gio Ponti until the 31st of March. Inaugurated last October, the exhibition shows three works by the renowned Italian architect and designer: the Espressioni installation for the Ideal Standard Showroom in Milan (1966), the Cathedral of Los Angeles (1967), and  the flooring design for the Salzburger Nachrichten in Salzburg (1976) – considered by some as the ideas that over time led to masterpieces such as the Cathedral of Taranto or the Museum in Denver.

 

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“In a Dawn all Charms Decay” by Isidoro Valcárcel Medina at Musac León

The varied and heterogeneous graphic materials compiled are displayed alongside the plans drawn by the artist in 1991. Both the former exhibition at Tráfico de Arte Gallery in 1991 as well as the new show at MUSAC lay bare, among other issues, the pressing need to create critical spaces from where to think and rethink community life, the uses of public space and the urban development.

 

In a Dawn All Charms Decay. Courtesy by MUSAC

In a Dawn All Charms Decay. Courtesy of MUSAC

 

The National Prize of Plastic Arts 2007 , has created for the MUSAC in León, Spain, a project called “In a Dawn all Charms Decay”, a sort of “premature urbanization” comprising a series of drawings and documents created over twenty years ago. Made in collaboration with “Agencia de desmontaje”, the work is based on “Sugerencias de un forastero al plan general de León” (An outsider’s suggestions for León’s urban plan), which was presented in 1991 at an art gallery, “Tráfico de Arte”.

“At that moment I imagined the land where the Musac is right now as an amusement park and a wind museum, with a platform-fan so that visitors’ clothes were lifted, as the famous Marilyn Monroe image. I also devised a football field with transparent screens in the football locker for players and television equipped rooms where the referee’s whistle the game.”

On the “before” and “after” he says: “It’s the change of all the cities we know, set in virgin or clearly improbable locations, but then the political or private interests enter and … everything changes for the worse.” Valcárcel Medina proposes new types of distribution or receipt for his art, as happened a century ago with Dada, micromedia in which the spectator is also the protagonist. “This is teasing you and forcing you to become a bit coauthor”. (more…)

“Big Change / Big Chance”: Africa’s opportunities for the new century, now showing at CIVA Brussels.

The exhibition, made for the Triennale di Milano, will be open until March 1, 2015. Its aim is to approach the continent’s potential through a comprehensive analysis of its landscape, infrastructures and urban development posibilities.

 

Nouackchott, Mauritanie. Photograph by Jerôme Chenal

Nouackchott, Mauritanie. Photograph by Jerôme Chenal

 

After its presentation at the Milan Triennale from 15 October to 28 December 2014 , CIVA is pleased to welcome  Africa: Big Change / Big Chance , a richly illustrated and commented exhibition reviewing the architectural and urban situation of an ever-changing continent.

The exhibition aims to address the complex panorama of Africa from an architectural point of view in a context of scarce natural resources and growing urbanization. It will be open until March 1, 2015.

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Andrés Jaque to built COSMOS, water-purifying pipe network for MoMA PS1 Young Architects Program

When each cycle is complete, the structure will light up in celebration offering a colourful background to the gallery’s summer music programme, known as the Warm Up sessions.

 

©Andrés Jaque / Office for Political Innovation

COSMOS ©Andrés Jaque / Office for Political Innovation


The Museum of Modern Art and MoMA PS1 announce Andrés Jaque / Office for Political Innovation as the winner of the annual Young Architects Program (YAP) in New York. Now in its 16th edition, the Young Architects Program at MoMA and MoMA PS1 has been committed to offering emerging architectural talent the opportunity to design and present innovative projects, challenging each year’s winners to develop creative designs for a temporary, outdoor installation at MoMA PS1 that provides shade, seating, and water. The architects must also work within guidelines that address environmental issues, including sustainability and recycling. Andrés Jaque, drawn from among five finalists, will design a temporary urban landscape for the 2015 Warm Up summer music series in MoMA PS1’s outdoor courtyard.

This distinction joins other recently achieved by Jaque and his team: Silver Lion for best research project at the 14th Venice Biennale of Architecture, with ‘Sales Oddity. Milano 2 and the politics of direct-to-home TV urbanism ‘. (more…)

E/C House by SAMI Arquitectos, concrete walls within dark basalt stone ruins

The new house is a two-storey concrete structure that hides within chunky walls of dark basalt stone. Terraces and decks are dotted around the perimeter, some behind the ageing outer structure and some extending beyond it.

 

© Paulo Catrica

© Paulo Catrica

 

Continuing a series of reviews on recently announced Mies van der Rohe nominees, today we will visit SAMI Arquitectos’ E/C House, situated in Pico, an island in the middle of the North Atlantic Ocean. Pico belongs to a group of volcanic islands far west of Portugal.

 

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“A History. Art, Architecture, Design from the 1980s until today” at Centre Pompidou

A History, a new presentation of the Centre Pompidou contemporary collections, proposes an interpretation of art inspired by the very way in which artists have positioned themselves in relation to the profound changes in the last thirty years.

 

Kengo Kuma, Model for the CG Prostho Museum Research Center, Kasugaishi, Japan, 2008-2010 Acrylic, 27.5 x 59.4 x 42 cm, scale 1/50, weight 5 kg musée national d’art moderne, Centre Pompidou, Paris © Centre Pompidou, mnam/cci

Kengo Kuma, Model for the CG Prostho Museum Research Center, Kasugaishi, Japan, 2008-2010 Acrylic, 27.5 x 59.4 x 42 cm, scale 1/50, weight 5 kg musée national d’art moderne, Centre Pompidou, Paris © Centre Pompidou, mnam/cci

The new presentation of the contemporary collections of the Centre Pompidou, provides an overview of contemporary art since the Eighties through a circuit of almost 400 works and objects by nearly 200 artists, architects and designers. With paintings, sculptures, installations, videos, films, drawings, photographs, architecture and design, this new presentation offers a new approach to the art of the last thirty years.

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Charleroi’s museum of photography brings new life to a former convent’s garden.

The team in L’Escaut Architecture, leaded by Olivier Bastin, converted the garden of a former Carmelite convent into the new wing of the Charleroi Museum of Photography. The architect’s challenge was to transform this beautiful introspective orchard into a public gateway for culture, sports and education.

Charleroi Museum of Photography © Gilbert Fastenaekens

Charleroi Museum of Photography © Gilbert Fastenaekens

 

Located on the inside of a city block and hidden to the view of the general public, the new wing of the Charleroi Museum of Photography attempts to bring new life to the orchard of a former Carmelite convent. This remarkable garden, full of protected trees, shares its wall with a neighbouring school and sporting facilities, making it an important spot as a new node in Charleroi, qualified to connect culture, education and sports. The surrounding constructions and the park itself create a new landscape to be explored by visitors and locals alike.

The building was designed by L’Escaut Architecture,a multidisciplinary team of professionals -one of whom is Olivier Bastin, former bMa of Brussels and forthcoming juror of BigMat International Award 2015.

 

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Challenging spatial awareness and perception: Musings on a Glass Box, a work by Diller Scofidio + Renfro.

Diller Scofidio + Renfro’s homage to Fondation Cartier is coming to an end. The multidisciplinary team’s installation designed on the occasion of the Fondation’s 30th anniversary will be closing on February 22. Called Musings on a Glass Box, it is a thought-provoking installation using transparency, sound effects and the spatial qualities of the building itself as raw materials for the work.

 

View of the Musings on a Glass Box exhibition Diller Scofidio+Renfro en collaboration avec David Lang et Jody Elff, 2014. © Luc Boegly

View of the Musings on a Glass Box exhibition Diller Scofidio+Renfro en collaboration avec David Lang et Jody Elff, 2014. © Luc Boegly

View of the Musings on a Glass Box exhibition
Diller Scofidio+Renfro en collaboration avec David Lang et Jody Elff, 2014. © Luc Boegly

 

Paris-based Fondation Cartier pour l’art contemporain is celebrating its 30th anniversary as a sponsor for contemporary arts with an exceptional project by the critically acclaimed team of artists and designers Diller Scofidio + Renfro.

From October 25, 2014 the entire ground floor of the Fondation Cartier has been taken over by Musings on a Glass Box, a new installation created especially for the occasion.  Designed in collaboration with American composer David Lang and sound designer Jody Elff, this work is the first to be showcased by the Fondation in which the building’s architecture itself is used as a raw material for the installation. Designed in 1994 by French architect Jean Nouvel, the iconic building in Boulevard Raspail in Paris is famous for its oversized glass façades that enclose the surrounding garden, creating an unclear, diffuse limit between the building and the street.  Taking advantage of the Fondation’s unique architecture, the installation by Diller Scofidio + Renfro portrays this empty space as the holder of many unexpected qualities only by the addition of a series of small gestures in the facilities. (more…)