These two architects formed part of a generation that adhered to the principles of the Modern Movement and they worked together professionally for 25 years (1947-1973), producing more than 700 projects. They were responsible for the modernisation of countless commercial establishments, factories, primary schools, permanent housing (single-family detached houses and multi-family housing blocks) and temporary accommodation (hotels and tourist complexes), with their activity also extending into the areas of design and the arts. (more…)
“Variable Dimensions” is a descriptive term commonly used in captions of artworks, especially in the field of contemporary art, but rarely used in the field of architecture, where dimensions are used for construction and hence naturally pre-defined. This exhibit suggests a fresh look on this difference and reinvents dialogues around the relationship between artists and architecture. (more…)
The two Portuguese contemporary master architects have joined together for the design and construction process of a new museum in Santo Tirso, Portugal. The museum, named the “Abade Pedrosa Municipal Museum” integrates two buildings into a single complex: a sculpture museum “International Contemporary Sculpture Museum” and the Abade Pedrosa Muncipal Museum itself. (more…)
The World of Charles and Ray Eames is a major new exhibition surveying the careers of Charles (1907-1978) and Ray (1912-1988) Eames and the extraordinary work of the Eames Office: a ‘laboratory’, active for over four decades, where the Eameses and their collaborators and staff produced an array of pioneering and influential work – from architecture, furniture, graphic and product design, to painting, drawing, film, sculpture, photography, multi-media installation and exhibitions, as well as new models for education.
The World of Charles and Ray Eames was presented last year at the Barbican Centre in London, and opened at MAAT, Museum of Art Architecture and Technology of Lisbon on 5 October 2016.
Curated by André Tavares and Diogo Seixas Lopes, the 2016 Lisbon Triennale started last week with a program filled with events and programmed exhibition for the next three months. This year’s theme “The form of Form” takes its name from the opening exhibition, curated by Seixas Lopes himself, in which he reflects on the ever-changing approaches of architects to architectural form in the past, present and future.
Symbolism and analogies are key elements in the architectural composition of Eduardo Souto de Moura’s work. Veiled in the case of symbolisms, or clearly embraced in the case of analogies, these act as catalysts of a mental process that searches for solutions that will strengthen and contextualize his interventions.
The Cité de l’architecture et du patrimoine in Paris is holding an exhibition showcasing some of the best Portuguese architecture of the last five decades, in an attempt to discover a common ground based on a certain “universalism” – a conceptual condition already present in other fields of the Portuguese culture: literature, arts and cinema. (more…)
Competitions in Portugal granted a number of works that marked the history of modern and contemporary architecture, not only as buildings of outstanding quality but also as evidence of important changes in the country. A number of key works that resulted from competitions were inscribed in our history. It is indisputable that, culturally speaking, the Calouste Gulbenkian Foundation radically changed the art institutions in Portugal; the Centro Cultural de Belém attested the dawn of a European Portugal and the Casa da Música became the symbol of a new cosmopolitan city. (more…)
The clients acquired an old clothing store in the suburbs from Oporto. The brief requested the space to be transformed into a new agency for their real estate company and the intervention had to be designed and implemented in less than 4 weeks. The new design should define the conceptual basis for all their future stores. (more…)